Directions for a Script of Darkness

First frame:
Eyes closed.
A trillion million points, very small and independent, shifting and drifting with the slightest turn of the eyes.

Second frame:
Darkness surface. Scratch, sphere, color, shape. Everything depends on the angle of the eyes’ movement in relation to the speed of action.
To squint is to multiply, to change direction, in short, to configure the entire

Third frame:
constellation into other things.

Fourth frame:
For now, almost nothing of darkness. It is after some time that things begin to change. The darkness forming itself, touching you. Darkness-dive. Bottom, inside the entire bottom that it already is.

Fifth frame:
Pause. Almost-not-alive. A few minutes, other years, or some invented thing.
Infinitesimal-infinite.

Sixth frame:
Darkness is never darkness. Tons of points and strange movements. Darkness is black. Blacker than black, and many other colors. Darkness is white, the smallest white.

Seventh frame:
The strange sensation of fitting inside the greatest smallest thing that exists.

Eighth frame:
Floating words, falling words, hanging them in some minimal corner of the darkness.

Ninth frame:
The darkness begins to grow on its own — evaporates, liquefies, dissolves.
Darkness-head-outside-the-head.
Deeper bottom but easier to escape from.

Tenth frame:
Dive into the darkness.

Eleventh frame:
Inventory.

Twelfth frame:
There is no time, nor machine.

Thirteenth frame:
Abandon the last w o r d s